89.3 WFPL-FM WINS TOP NEWSCAST AWARD
(June 28, 2011—Louisville, KY) 89.3 WFPL’s morning newscast received first place honors from Public Radio News Directors Inc. of Washington, D.C. Winners were announced at the 2011 awards competition at the annual awards banquet on June 25, 2011 inArlington,VA.The contest covered work produced in 2010.
The awards were voted on by peers in the industry. It is the only national contest that recognizes outstanding public radio news reporting at local stations. Competing in Division A, WFPL’s “8:06 am Newscast on December 10, 2010” tookFirst Place.
“The recognition from our peers is further confirmation that our investment in local journalism is paying off,” said Donovan Reynolds, president of Louisville Public Media. “I congratulate Todd Mundt, host of the morning news, and the entire 89.3 WFPL newsroom.”
Louisville Public Media operates the city’s three public radio stations, which include 89.3 WFPL, 91.9 WFPK, and Classical 90.5 WUOL.
UNIQUE DUET OF NEKO CASE & NICK CAVE TO BE RELEASED DIGITALLY ON JUNE 26 AFTER THE SERIES PREMIERE EPISODE
TRUEBLOOD®– MUSIC FROM THE HBO®ORIGINAL SERIES – VOLUME 3 TO BE RELEASED THIS FALL
WaterTower Music has announced the upcoming release of “TRUEBLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3” due in stores and online this fall. The follow up to the first two Grammy® nominated soundtracks will consist of new songs from the upcoming forth season of the acclaimed HBO drama as well as music from the show’s wildly successful 3rd season.
Music is an essential element in developing the tone and atmosphere on the hit television series. The sexy, supernatural world of Bon Temps comes to pulsating life through the edgy songs and season three is no exception. An exceptional duet recorded by Neko Case and Nick Cave will be the first track from the collection to make its debut. Case and Cave have recorded a new version of The Zombies’ classic “She’s Not There” which will be available at all digital retailers on June 26, after the premiere episode.
“I am so excited about Neko and Nick’s cover of ‘She’s Not There,’” saysTrue Blood music supervisor and soundtrack producer Gary Calamar. “I would have been thrilled to have either Neko Case or Nick Cave individually work with us this season, but to have a collaboration like this blows me away. Two of my favorite artists whose music is perfect a fit with the atmospheric and soulful Louisiana settings of True Blood. This is a fantastic way to musically kick off the new season!”
Washington-bred Neko Case’s mix of country, gospel, torch, and pop, and her five full-length solo albums have won her much critical acclaim, countless devotees and two Grammy nominations. Internationally renowned as a singer, songwriter, performer, script writer and novelist, Nick Cave’s career spans from the 80s Australian post‑punk group The Birthday Party, to legendary band Nick Cave & The Bad Seeds to the irrepressible raucous and raw Grinderman.
Information on the additional tracks included in “TRUEBLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3” will be released later this summer.
Centered in the fictional town of Bon Temps, the Emmy® and Golden Globe®-winning True Blood series follows the romance between waitress Sookie Stackhouse (played by Anna Paquin), who can read minds, and 173-year-old vampire Bill Compton (played by Stephen Moyer).Alan Ball (creator of the Emmy®-winning HBO series Six Feet Under) is creator and executive producer the show, which is based on the best-selling Sookie Stackhouse novels by Charlaine Harris.
Gary Calamar serves as music supervisor and soundtrack producer for of “TRUE BLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3”
Listen to the Neko Case and Nick Cave cover of “She’s Not There” at
http://blogs.kcrw.com/musicnews/2011/06/kcrw-exclusive-neko-case-nick-cave-duet-on-shes-not-there-for-true-blood/
UNIQUE DUET OF NEKO CASE & NICK CAVE TO BE RELEASED DIGITALLY ON JUNE 26 AFTER THE SERIES PREMIERE EPISODE
TRUEBLOOD®– MUSIC FROM THE HBO®ORIGINAL SERIES – VOLUME 3 TO BE RELEASED THIS FALL
WaterTower Music has announced the upcoming release of “TRUEBLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3” due in stores and online this fall. The follow up to the first two Grammy® nominated soundtracks will consist of new songs from the upcoming forth season of the acclaimed HBO drama as well as music from the show’s wildly successful 3rd season.
Music is an essential element in developing the tone and atmosphere on the hit television series. The sexy, supernatural world of Bon Temps comes to pulsating life through the edgy songs and season three is no exception. An exceptional duet recorded by Neko Case and Nick Cave will be the first track from the collection to make its debut. Case and Cave have recorded a new version of The Zombies’ classic “She’s Not There” which will be available at all digital retailers on June 26, after the premiere episode.
“I am so excited about Neko and Nick’s cover of ‘She’s Not There,’” saysTrue Blood music supervisor and soundtrack producer Gary Calamar. “I would have been thrilled to have either Neko Case or Nick Cave individually work with us this season, but to have a collaboration like this blows me away. Two of my favorite artists whose music is perfect a fit with the atmospheric and soulful Louisiana settings of True Blood. This is a fantastic way to musically kick off the new season!”
Washington-bred Neko Case’s mix of country, gospel, torch, and pop, and her five full-length solo albums have won her much critical acclaim, countless devotees and two Grammy nominations. Internationally renowned as a singer, songwriter, performer, script writer and novelist, Nick Cave’s career spans from the 80s Australian post‑punk group The Birthday Party, to legendary band Nick Cave & The Bad Seeds to the irrepressible raucous and raw Grinderman.
Information on the additional tracks included in “TRUEBLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3” will be released later this summer.
Centered in the fictional town of Bon Temps, the Emmy® and Golden Globe®-winning True Blood series follows the romance between waitress Sookie Stackhouse (played by Anna Paquin), who can read minds, and 173-year-old vampire Bill Compton (played by Stephen Moyer).Alan Ball (creator of the Emmy®-winning HBO series Six Feet Under) is creator and executive producer the show, which is based on the best-selling Sookie Stackhouse novels by Charlaine Harris.
Gary Calamar serves as music supervisor and soundtrack producer for of “TRUE BLOOD – MUSIC FROM THE HBO ORIGINAL SERIES – VOLUME 3”
Listen to the Neko Case and Nick Cave cover of “She’s Not There” at
http://blogs.kcrw.com/musicnews/2011/06/kcrw-exclusive-neko-case-nick-cave-duet-on-shes-not-there-for-true-blood/
MORE SUMMER SHOWS FOR DEVO
“WHAT WE DO: ELECTRO-DEVO REMIX CORNUCOPIA” DIGITAL EP
STILL AVAILABLE
DEVO,those prophetic iconoclasts of the highest musical and cultural order have confirmed yet more shows for your demanding summer entertainment fun.
New dates listed below:
Wed July 27 Belly Up Aspen, CO
Thur July 28 Belly Up Aspen, CO
Sat July 30 Denver County Fair Denver, CO
Thur Aug 4 San Manuel Casino San Bernardino, CA
Fri Aug 5 The Grove of Anaheim Anaheim, CA
Fri Aug 19 Del Mar Racetrack Del Mar, CA
Sat Aug 27 The Mountain Winery Saratoga, CA
SOMETHING FOR EVERYBODY, Devo’s current full length album has made worldwide impact as powerful as the day they first warned our planet’s inhabitants of the theory of devolution and its equally arresting and influential soundtrack:
“The melodies get sharper and more skewed, the beats and synths more diverse and rangy – evoking everyone from LCD Soundsystem to Mouse on Mars. Mark Mothersbaugh and Gerald Casale can still bite off words with nervy smarts. ‘Something For Everybody’ holds some truth in its name.” – Pitchfork.Com
“Upbeat, catchy, with the usual unsettling undertones about life’s misadventures. Devo aims to please in 2010.” — The Los Angeles Times
“‘Something For Everybody’ ranks among their best.” – American Songwriter Magazine
Just a reminder: if you’ve yet to see Devo’s truly unique interactive video for their current single “WHAT WE DO,” what are you waiting for?? The viewer has the option to scan the entire 360 degrees of the viewing field to allow control of any focal point of interest. As various characters enter the scenario clad in a piece of Devo merchandise, the viewer can directly access the Official DEVO Store and immediately purchase the featured merchandise with a click. This level of user-friendly video technology is a first and Devo are the perfect creative entity to introduce this visually compelling fan-centric medium to an awaiting world. To view the “WHAT WE DO” video, go to: http://mashable.com/2011/04/19/devo-what-we-do/
As previously reported, “What We Do: Electro-Devo Remix Cornucopia EP” is still available online only through all participating Digital retailers. The 5-track Digital Maxi Single will feature:
“What We Do” (Single Edit) 3:09
“What We Do” (Static Revenger Remix) 6:22
“What We Do” (Kinky Remix) 5:10
“What We Do” (Avant Hard Remix) * 5:13
“Freedom Of Choice” (Hoska & Osheen Last Minute Remix) * 5:26
Tracks #4 “What We Do” (Avant Hard Remix) and #5, “Freedom Of Choice” (Hoska & Osheen Last Minute Remix) come courtesy of the www.BeatPort.Com contest winners. Congratulations Avant Hard and Hoska & Osheen. Devo has now made all their wildest dreams come true.
Until then, you know what to do and so do we. Contact Warner Bros. Records Publicity:
2011 Nike US Open of Surfing Schedules Largest Free Concert Of The Summer
Huntington Beach, CA – The 2011 Nike US Open of Surfing has a soundtrack and it will play live on the beach before tens of thousands of fans. The event, owned and produced by IMG, the global leader in sports and entertainment, is taking a cue from its action sports roots, and set to deliver the largest free concert series of the summer.
“It’s fun bringing some of the best musicians in the world to the US Open of Surfing,” says Hurley’s Director of Music and Entertainment Marketing Greg Teal. “It doesn’t get much better than hearing your favorite band perform live on the beach.”
This year’s musical line-up is a representation of today’s youth culture featuring headlining sets by pysch-pop rockers MGMT, platinum-selling rockers Jimmy Eat World and Swedish electro/rock sensations The Sounds. The series will also include sets by the most buzzed about names emerging on the music scene this year: Surfer Blood and Dead Country. “We’re pretty excited to come to Huntington Beach for the US Open of Surfing. Our advice to everyone: Drop out with MGMT, drop by for MGMT, but just don’t drop in on MGMT,” said MGMT’s Andrew VanWyngarden.
Known as the world’s largest youth culture and action sports festival, the Nike US Open of Surfing will feature daily concerts Thursday through Saturday, August 4-6, at the conclusion of the surfing competition. All concerts are free and open to the public.
Music Schedule
Thursday, August 4 4:30-6:30pm The Sounds featured with Walk The Walk
Friday, August 5 4:30-6:30pm Jimmy Eat World preceded by Dead Country
Saturday, August 6 4:30-6:30pm MGMT preceded by Surfer Blood
US Open of Surfing Background
The 2011 Nike US Open of Surfing will run from July 30 to August 7. With more than 500,000 people in attendance along a 14-acre stretch of sand on the south side of Huntington Beach Pier, the Nike US Open of Surfing showcases the best in surf, skate, BMX, music, fashion and art. All events at the US Open of Surfing are FREE and OPEN TO THE PUBLIC. Live webcast of all the events can be viewed daily at www.usopenofsurfing.com. Anchored by the world’s largest professional surfing competition, the $460,000 US Open is a pivotal point on the ASP World Tour for both the men and women. The men’s competition will feature a North America ASP Men’s Prime event with valuable points on the line right before the coveted ASP Top 34 rotation. For the women, the US Open of Surfing will host the final event of the 2011 ASP World Title Tour and will potentially crown a women’s world champion in Surf City this summer. In addition to the high-stakes mens and womens divisions, the US Open will feature an ASP Grade Four men’s and women’s Junior Pro as well as the Pacifico Nose Riding Invitational – always a crowd favorite.
The action doesn’t stop at the shoreline. On the beach, Converse Coastal Carnage will once again host the most talented and diverse crew of riders from across the globe as they skate in a state-of-the-art skate bowl. And, a stellar crew of BMX riders will push the realm of possibility at the Nike 6.0 HB BMX Pro. The runway will be busy on Thursday, August 4 as five of the nation’s top high schools will compete for $25,000 in the Hurley Walk the Walk National Championship – the ultimate youth fashion competition.
MGMT, Jimmy Eat World, Surfer Blood, The Sounds
And Dead Country Scheduled To Perform
Combined with one-of-a-kind retail and brand experiences, more than 100 interactive exhibits, autograph signings, DJs and giveaways, and you have another summer to remember at the Nike US Open of Surfing.
The Nike US Open of Surfing is proudly sponsored by G-Shock, Skullcandy, Red Bull, Pacifico, Paul Mitchell Salon Haircare, Invisalign Teen and Transworld Media.
NEW BOOKER T. JONES VIDEO RELEASED Images Of Los Angeles And Vocals By Yim Yames
There’s a visually evocative new video for the Booker T. Jones song “Progress” from his acclaimed album The Road From Memphis. The song offers a blast of classic Booker T. soul music and features a perfect vocal accompaniment by the phenomenal Yim Yames of band My Morning Jacket.
The clip was directed by Aaron Hymes and features images of a downtown Los Angeles in transition. As the director told the Los Angels Times, “They were snapshots of things that were real and unaffected while simultaneously being filmed with the idea of hope and progression. I wanted to capture that upbeat, positive vibe and re-create those feelings with a contemporary twist. Downtown L.A. was the perfect setting. It’s a city that’s still changing, still moving forward, and has a uniqueness and sunny positivity you just can’t find anywhere else.”
Read an article about the video in the Los Angeles Times here: http://latimesblogs.latimes.com/music_blog/2011/06/progress-new-booker-t-jones-video-captures-an-evolving-downtown-los-angeles.html
The Road from Memphis refers not only to Booker T‘s journey but to the evolution of the soul music he helped invent as it traveled from Memphis to Detroit, Philadelphia and beyond. The features a broad range of guest vocalists including Matt Berninger of the National, Sharon Jones,” Yim Yames and Lou Reed. Legendary motor-city guitarist Dennis Coffey contributes to the album as well.
Joe Bonamassa to play Louisville Palace November 15.

“The New King of Blues” – Guitarist Magazine“Right now, there’s no better Blues-rock artist than Bonamassa” – Gibson.com“Bonamassa is a bold talent.” – Billboard“Wicked guitar thrills.” – Mike Joyce, Washington Post“This kid deserves to be in the same class with Stevie Ray F*&cking Vaughan and Jimi Hendrix and Jeff Beck.” – Rock guitarist Ted Nugent after a recent jam with Joe for VH-1’s SupergroupJoe Bonamassa at Kentucky Center for the Arts 2009
As Joe Bonamassa grows his reputation as one of the world’s greatest guitar players, he is also evolving into a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. His ability to connect with live concert audiences is transformational, and his new album, Black Rock, brings that energy to his recorded music more powerfully than ever before. The tenth solo album and eighth studio release of his career – as well as his fifth consecutive with producer Kevin Shirley (Led Zeppelin, Black Crowes, etc.) – the disc adds an enlivening dose of ‘world’ vibes to Bonamassa’s virtuoso mix of ‘60s-era British blues-rock (à la Beck and Clapton) and roots-influenced Delta sounds.
The album was recorded at Black Rock Studios in Santorini, Greece. “With this album, we wanted to explore a ‘world’ feeling, and this was the inspiration behind going to record in Greece and using some of the best Greek musicians to add a little flavor to a couple of the tracks. But it’s by no means a ‘world’ album. We wanted Joe’s usual youthful and energetic tones to play alongside the worldly vibes of the Greek bouzouki and clarino,” said Shirley. Bonamassa adds, “It was the kind of record Kevin and I wanted to make. We needed to rock again a bit like on my first album. It’s youthful, like going back to your childhood.” Throughout, Bonamassa is again backed by the stellar players Carmine Rojas (bass), Anton Fig, Bogie Bowles (both on drums) and Rick Melick (keyboards).
2009 was a big year for Bonamassa. He was awarded the Breakthrough Artist of the Year Award at the U.K.’s prestigious Classic Rock Roll of Honour Awards and Classic Rock magazine has said, “They’re calling him the future of blues, but they’re wrong – Joe Bonamassa is the present; so fresh and of his time that he almost defines it.” He was also named Best Blues Guitarist in Guitar Player Magazine’s 2009 Readers’ Choice Awards for the third consecutive year. Guitar Player writer Matt Blackett has said, “He’s an old soul, and that comes through in his bends, vibrato, singing voice, and note choices, which – which each passing year – get more restrained and refined.”
In May ’09, he played to a sold out crowd at London’s Royal Albert Hall, arguably the most prestigious concert venue in the world. During the show, Bonamassa’s hero, Eric Clapton, joined him on stage for a joint- performance of Clapton’s hit “Further On Up The Road.” London’s The Independent said about the show, “The man has arrived, and there’s no turning back.” Shortly after, Bonamassa released a 2-DVD live set – Joe Bonamassa – Live From The Royal Albert Hall – which captures the night in full. Guitar Edge gave it five stars and also said, “It is the wallop of his emotional expression, fueled by the rocking energy he derives from that trans-Atlantic connection and driven by his devastating technical ability, that elevates him about his peers and makes him a certifiable blues guitar hero and the face of his blues generation.”
Last year also coincided with Bonamassa’s twentieth year as a professional musician, an extraordinary timeline for a young artist just into his ’30s. A child prodigy, Bonamassa was finessing Stevie Ray Vaughan licks when he was seven and by the time he was ten, had caught B.B. King’s ear. After first hearing him play, King said, “This kid’s potential is unbelievable. He hasn’t even begun to scratch the surface. He’s one of a kind.” By age 12, Bonamassa was opening shows for the blues icon and went on to tour with venerable acts including Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman.
Bonamassa reunites with King for a duet on Black Rock. The song they perform together is a rendition of the Willie Nelson-penned song, “Night Life,” which appeared on King’s 1967 album Blues Is King. Shirley says about the experience, “This is a rollicking Stonesy-vibe version of the Willie Nelson song on which B.B. duets with Joe, both vocally and on his famous Lucille guitar. What a joy and an honor to work with the legend who is possibly the pivot point and unifying musician between blues and rock.”
Other tracks appearing on Black Rock include Jeff Beck’s “Spanish Boots,” a lively version of Leonard Cohen’s poetic “Bird On A Wire,” Otis Rush’s “Three Times A Fool,” as well as Bobby Parker’s “Steal Your Heart Away,” a song recommended by Robert Plant, who said Led Zeppelin rehearsed it in their earliest days. Also, Blind Boy Fuller’s “Baby, You Gotta Change Your Mind,” John Hiatt’s “I Know A Place,” and James Clark’s “Look Over Yonder’s Wall,” as well as the Bonamassa-penned originals “When The Fire Hits The Sea,” “Wandering Earth,”“Athens To Athens,” and “Blue and Evil.”
Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging rock-blues group also featuring Robby Krieger’s son Waylon and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by the legendary Tom Dowd; Bonamassa’s rendering of the title track, originally a Jethro Tull hit, was called, “a jaw-dropping performance” by allmusic.com.
His last studio album, The Ballad Of John Henry – with no shortage of its own jaw-dropping moments – debuted at #1 on the Billboard blues chart and stayed there for six months. The album marks a more confessional approach to songcraft than he’s previously employed. “Making the first half of the album,” Bonamassa says, “I was in the happiest place I’d ever been in my life. The second half found me in completely the opposite state. I’ve come to the conclusion that experience makes for better art. I had more to say, and it’s the first time I’ve personally opened up the book on my life.”
Previous studio sets include 2007’s Sloe Gin, which debuted at #1 on Billboard’s blues chart and received a 2008 nod for Album Of The Year from the Classic Rock Roll Of Honour Awards. Sloe Gin careens between heavy electric blues-rockers and acoustic, folk-etched cuts in a flow that Bonamassa says was partly inspired by Rod Stewart’s classic 1969 solo debut LP. Modern Guitars Magazine wrote, “If calling Sloe Gin a Bonamassa sampler isn’t graphic enough, think of the album as a musical buffet in which unrelated entrees share a single trait: they taste good.” The Boston Phoenix called it, “an elegant and brawny guitar-hero album.”
In 2008, he released the 2-CD set Live From Nowhere In Particular, which Guitar Player said, “finds Joe playing with soul, intensity and savage tones.” It features 13 songs recorded live in concert on the artist’s 2007 North American tour – at shows like the one at New York’s Westhampton Beach Performing Arts Center reviewed for http://www.hamptons.com by Lon S. Cohen: “In a thousand years, when archeologists dig out Joe Bonamassa’s guitar from the strata of the earth, it will still be smoking…He holds the guitar like a shotgun but what comes out of it is poetry, color, and a story is told in notes.” A review of a show at Alexandria, VA’s Birchmere drew similar sentiments from writer Paul Roy on blogcritics.org: “I have flirted with the opinion that Bonamassa may be the overall best guitarist on the planet these days, and after seeing him perform live again…I am now totally comfortable with that opinion. He is simply mesmerizing to watch.”
Bonamassa circles the globe playing an average of 200 shows a year, and his mind-blowing guitar wizardry and electrifying stage presence are selling out progressively larger venues all the time. The OC Register’s Robert Kinsler has written, “Whether in a club or outdoors at a festival, something magnetic happens when Bonamassa steps to the front of the stage, leans his head back and simply lets loose.”
Ongoing journeyman touring is a given, and looking beyond Black Rock, Bonamassa will continue his recording collaboration with producer Kevin Shirley, who says, “It’s great working with Joe and seeing him enjoy the discovery of all these places he can go. He’s an artist who can play anything, there are so many facets to him.” Bonamassa adds, “Kevin comes up with fantastic ideas outside the box. He appreciates the blues, but pushes me, the only person besides Tom Dowd who’s done that.”
On top of touring, recording and overseeing the independent label J&R Adventures with his entrepreneurial partner and manager Roy Weisman, Bonamassa is a spokesperson for the Blues Foundation’s respected Blues In The Schools program, volunteering his time during tours to speak with groups of high school students about the heritage of blues music – the first pure American music form. Recently, he was chosen by Channel One, the largest in-school news network, to host an ongoing segment called “Know Your Roots with Joe Bonamassa” in which he traces the musical roots of Channel One’s weekly “Hear It Now” featured artist.
And, 2010 has already started with a bang – Guitar World dubbed Bonamassa “The Blues Rock Titan” and his song, “Lonesome Road Blues,” is a part of Guitar Hero V’s New Blues Masters Track Pack. Keeping with his blues roots but fluently moving between rock n’ roll and international sounds, 2010 is not only a new decade but a new era for Bonamassa.
Black Country Communion Rocks Indianapolis
When Black Country Communion was announced to visit The Murat Theater in Indianapolis, I am sure the building engineers began securing the roof of this beautiful venue for some of the heaviest high decibel rock and roll to ever play there.
BCC are blues based heavy rockers consisting of some of the biggest names in their genre. Led by guitar legend, Joe Bonamassa , former Deep Purple/Trapeze lead singer and bassist Glenn Hughes, drummer Jason Bonham, son of late Led Zeppelin drummer John, and former Dream Theater keyboardist, Derek Sherinian.
BCC just released their second album, BCC2 last week and the excellent new material was scattered throughout the set along with the powerful staples from their first release. “Outsider” from the latest album was a standout of the show.
From the opening song “Black Country” it was evident this was a journey back to the late seventies heavy metal shows with BCC displaying the energy of Led Zeppelin, the power of Deep Purple and a tinge of early Aerosmith.
While three time blues guitar player of the year, Joe Bonamassa seemed to be content to stay out of the limelight he ripped through heavy chords and continually stunned the audience with searing solos the entire evening. The biggest crowd reaction of the set was when Bonamassa shared vocals with Hughes and delivered a blistering solo on “Song of Yesterday” and a song from his solo career, “The Ballad of John Henry”.
Glenn Hughes has rock and roll’s perfect voice, with a strong unbelievable range. His stage presence and energy was incredible to watch. Hughes is also a excellent bassist who at times overtook the music with its thundering beat. Many times through the night, the thought of Rush’s Geddy Lee entered my mind.
Jason Bonham filled in for his father on the one night Led Zeppelin reunion, a few years ago. Bonham is a great drummer in his own right. He led the band through each hard driving song with passion and precision. It was evident from the way Bonamassa and Hughes constantly drifted back to jam with him that he was the source of power for the band.
Derek Sherinian was set up of to stage left of the other members but made himself known by splitting time and solos on many keyboards and the Hammond B3 organ playing beautifully in the style of classic rock keyboardists such a Jon Lord of Deep Purple.
As BCC ended their night with an encore of “Deep Purple’s classic “Burn”, it was very clear these guys are having fun playing music the way heavy metal was meant to be heard. They are talented musicians who have a purpose to bring back the golden age of rock and roll. If you long for the early days of loud, hard rock and roll concerts. I suggest catch one of their shows. You won’t find a better band to rock with.
More photos: http://albums.phanfare.com/slideshow.aspx?i=1&db=1&pw=Mu0eh8gQ&a_id=5170201
E Street Band’s Clarence Clemons dead at 69
Clarence Clemons, the saxophone player in Bruce Springsteen’s E Street Band, died on Saturday, according to media reports, almost a week after he had a stroke at his Florida home. He was 69.
The New York Times said Clemons’ death was confirmed by a spokeswoman for Springsteen. Reuters could not immediately confirm the reports.
Clemons started playing with Springsteen in 1971, and had notable solos on such tunes as “Born to Run,” “Thunder Road” and “Badlands.” He was dubbed “Big Man,” which was also the title of a 2009 memoir he co-wrote with Don Reo.
Away from the E Street Band, Clemons enjoyed a hit single in 1985 with “You’re a Friend of Mine,” a duet with Jackson Browne. He also dabbled in acting, and worked with other artists including Ringo Starr, Aretha Franklin and Lady Gaga.
Clemons underwent double knee-replacement surgery in 2008, and walked for the first time in three months when Springsteen and the E Street Band played the Super Bowl early in 2009.
Bonnaroo 2011
Bonnaroo celebrated it’s tenth anniversary with an all out assault of the senses adding the “Big Ass Water slide”, a giant cuckoo clock, parachutists dropping thousands of blinking lights over the entire festival as Arcade Fire wrapped up its Friday evening set and fireworks after Eminem’s show on Saturday. The cell phone service is much improved from past years.
The festival attendees estimated at nearly 100,000 fought through searing heat, extreme dusty fields and crowded tents the entire weekend. Restroom lines where long and free water was at a premium. Fans waited as long as nine hours for a prime spot in front of the stage for their favorite bands. The daytime crowd outside the main stage was estimated at 50,000 for Mumford and Sons at the Which Stage.
Celebrities were in force backstage and in the pit area of shows. Ron Jeremy took in Grace Potter and Mumford and Son’s. Kareem Abdul Jabbar, John, Waters and Faith Hill along with members of SNL and visited with musicians and attend many shows.
The Festival is a well organized machine that takes everything into consideration outside the music to insure the safest and most convenient surroundings possible considering the site is held on what was once acres of farmland.
The festival began on Thursday, I watched parts of shows by Futurebirds, Freelance Whales,The Walkmen, The Sleigh Bells and Deerhunter.
Friday, Saturday and Sunday was a non stop race from stage to stage trying to catch all the music possible, its quite exhausting fighting the heat, crowds and walking miles through the site.
Sometimes you just stop and take in the happenings around you. Watching people lined up at the mushroom fountain to get their best version of a shower and cool off for the day. You have to notice the attire of the diverse crowd, from bikinis to tie dye and everything you can imagine in between.
Although the fan base is getting younger in the seven years I have attended, there are all ages of people and everyone seems to get along and its a peaceful event, everyone is there to enjoy the music and the sites of the festival.
It’s impossible to take in even half of the music, comedy and other events of the festival. You are forced to plan your activities during this event and always leave with regrets over what you didn’t get to before leaving.
Bonnaroo is a marathon not a sprint, I didn’t see everything but here is my lists of the best events of the weekend.
As the event has progressed more bands are limiting the amount of photographers, so don’t look for Eminem, Buffalo Springfield or Arcade Fire photos. It’s a sad trend that I don’t expect to change.
Best Performances
My Morning Jacket – Louisville’s finest has become one of the finest live bands you will ever see.
Arcade Fire
Buffalo Springfield – “Keep on Rocking in the Free World” was the standout song of the festival
Robert Plant -mixing Zeppelin songs with his latest music made for a classic set
Eminem even us non hip hop fans liked this show
The Super Jam with Dr John and Dan Auerbach and guests
The Warren Haynes Band- a rock soul filled sho
Gregg Allman Band- still the best blues voice in rock
Dr John and The Meters
The Black Keys
Allison Krauss
Grace Potter and the Nocturnals
The Decemberists
Loretta Lynn still a legend
Shows I wish I had seen.
- Deer Tick
- String Cheese Incident – Human Moth held over stage by helium balloons and a 30 ft dinosaur.
- Explosions in the Sky
- The League Comedy Show
- Primus
Most Impressive bands I haven’t listened to.
- Florence and The Machine- Largest audience ever in the This Tent history
- GraveYard- Swedish band sounds like early Black Sabbath
- Deer Hunter
- The Sheepdogs
- Gary Clarke Jr – serious blues
- Smith and Westerns
- Mavis Staples- incredible voice
For More Photos : http://albums.phanfare.com/slideshow.aspx?i=1&db=1&pw=aVXVrsQU&a_id=5163016
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